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Nutley Pond
by Lyn Lifshin
92 pages, S12.95 paperback, $39.95 hard cover.
Voted among
the best books of poetry for Winter 2008 reading by The Monserrat
Review Poetry editor, Grace Cavalieri. Click
here
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Sample Poems
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TEMPERATURES FALLING
Moon slivers on the
rolling skin of water.
Geese in half light,
armada of feathers.
Wind blows them closer.
One silver band glows.
Their onyx, black flame
in a night fire
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IN THE ONE SPACE THAT WASN'T FROZEN
the heron, deep
in pond water,
still as sticks
and then, a sudden
swoop like the
last fruit falling
off a tree into snow.
I happened to see it,
standing near the
window, that flash
of tangerine and
gold in its beak like
a barb of sun, a slice
of guava in colorless
air. It's been so long
I don't remember
something I looked for
and wanted to come
came so fast
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HERON ON ICE
Pale salmon light,
9 degrees. Floor
tiles icy. Past
branches the
beaver's gnawed
at the small hole
the heron waits,
deep in the water.
Sky goes apricot,
tangerine, rose.
Suddenly, a dive,
then the heron
with sun squirming
in his mouth, a
carp that looks a
third as big as he
is gulped, then
swallowed, orange
glittering wildly
like a flag or the
wave of someone
drowning
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GEESE ON ICE
frozen, perched as
if listening for some
distant code,
news of a warm
front coming in
time. Meanwhile,
alerts go out on
local stations,
schools close
early. The "partly
sunny" never came.
30 percent chance
of snow. Trees tilt
east, the ground
hardens. Geese
take root as scarves
float in wind like
strange new flags
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BEFORE ANY SNOW
you can taste it.
Before trees
glitter, a heavy
dampness after
Indian Summer.
Air's a wet
blanket. Two
sweat shirt's
aren't enough.
The gulls seem
oblivious, flap up
from across the
pond where I shiver
thru soggy grass,
descend, fifty
parachutes of feathers
skidding on pewter
glass
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TRYING TO JUST SMELL THE TANGERINE TREE'S BLOSSOMS
the light going,
muskrats slither
toward damp stones
gold ripples
under the pond's
pewter days from
the day of the
shortest light.
Small animals
under tawny dead
reeds and lilies
as black closes in
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WALKING PAST THE POND AT NIGHT
December,
record
breaking
warm. Geese
in clumps,
opalescent
under this
copper moon.
Mist, a
blue heron.
darkness wraps
my hair like
a scar
of stars
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DECEMBER POND
The v of mallards
criss-crosses the
beaver's wake.
Feathers clot on
apricot water.
Dried camellias
flutter like the
feathers. What
isn't, haunts like
the name "Bethany"
of the stain on
a quilt that some
how sucks me back
to before my mother
was howling in the
smallest dark room
under a moon
of brass
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THIS DECEMBER
it's almost 70
after dark.
I stop by the pond
instead of
shivering back.
Shapes in clumps
like tumbleweeds
of feathers
floating on
some prairie,
the moon in haze
dazzling as
pale teeth of cats.
Silver light, a
blaze of willow.
Lights from the
metro, rhinestones
thru trees,
branches of stars
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BEFORE THE BEAVER SLITS
pewter's silk
this warm spell
with dandelions
in bloom, a coppery
glow thru dark
cotton, I walk
thru bleached grass,
light rose as cats'
feet, before a
buttery lemon sun
or crows wild as
hands on fire,
black ducks float
on silk and stars
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THURSDAY, WALKING PAST THE POND NEAR MIDNIGHT,
willow roots, grass clumped
with feathers. No geese until
you look long enough to
see them floating like pale
cotton batten or spun sugar.
Hickory nuts on creosote.
Without leaves, lights from
the metro blaze, yellow
diamonds bathing the hill
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THE POND ON THE WALK BACK FROM THE METRO, DECEMBER, A
NIGHT YOU CAN SMELL THE MELT
without leaves,
lights thru silver
branches hang
icicle stars.
Jade and ruby
lights. I think of
Liv Ullman saying
"life is what goes
on in other people's
rooms." Squishy
earth, barberry.
New dandelions.
Birds in clumps.
Feathers on the
silk of the pond
like ghosts about to
take the shape of
whatever you
make of them
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GEESE FLOATING
after the December
night it stays in
the 60's, the pond
a plate of grey,
jade and ruby,
flashing lights
on grey brocade.
After it's too
warm for a parka
the geese float like
tumbleweeds of
feathers drifting
thru reeds
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EARLY, 20 DEGREES, JANUARY
wood's almost white
before water goes
rose. What's left
of night pools in
coves. Black ripples.
Indigo outlines. A
slate V. Ice tipped
feathers. Dark flickers
as melon spreads,
breath, a caption
anything, still could
be written on
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SLATE INDIGO, THE COLDEST JANUARY MORNING
iced grass
goose droppings
go stone in.
Pewter tinged ice.
Guava streaks.
Rain water's crystal.
A blue shoe,
glazed. Light
slicks over the pond,
past paper stuffed
into the hole under
the porch shredded
this morning to a nest
for something that
moves in close
thru the dark
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Reviews and information
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From winter fields smoldering with light and temperatures
falling though spring with geese honking the light back and
summer's wind of white rose petals, Lyn Lifshin's images,
her snapshots and freeze frames, pull you into fall's ruby
oaks and the coming blue sack of cold. She chronicles life
at the pond, layer by layer, the inner and outer landscapes
of this almost hidden refuge where deer and beaver, fox, herons,
gulls, geese, mallards and even one of the geese featured
in Fly Away Home and Father Goose landed for a few days. Nutley
Pond is the only place this one goose appeared again in US
after being trained with other motherless geese to follow
an ultra lite plane to learn to migrate. Like so much at the
pond, this goose, with her silver band and tame approach,
was breath taking.
The poems from Nutley Pond will pull you into the last flaming
maples and glistening gold fish into the shallows and shadows
where stars swim in blue black ripples. You will be wrapped
in garnet and turquoise sun rises, goose music and the rustling
willows on the walk close to the pond. Experience the beauty
and terror as light and dark braid and the birds rustle through
leaves while the sound of water is a dark whisper though wet
stones and crickets get louder and louder and then, stillness.
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AS IF A FEATHER
quilt exploded,
a white you can't
see in the dark
but breathe, a
wind of white
rose petals,
a wave of fog
in the shape of
flying things.
Like radio
voices on
the pillow,
lulling, keeping
what's ragged
and tears at
bay, the geese
pull sky and stars
in thru glass,
are like arms,
coming back
as sound
Copyright © 2008 by Lyn Lifshin
Published by:
Goose River Press
3400 Friendship Rd.
Waldoboro, ME 04572-6337
Telephone/Fax: 207-832-1168
email: gooseriverpress@roadrunner.com
WEB: www.gooseriverpress.com
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Her
intense poems reflect a range of emotions and subjects and
touch readers because they suddenly realize that feelings
they previously thought to be theirs alone were shared. Winner
of many awards including a Bread Loaf Fellowship, The Jack
Kerouac Award and New York State Caps Grant, she gives readings,
talks and workshops, often based on the books she has edited
or exhibits in museums, around the country and she has been
poet in residence at many colleges, libraries and centers.
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To order from Goose River Press
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Nutley Pond, Paperback, ISBN # 978-1-59713-068-4
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$12.95 + shipping and insurance**
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Nutley Pond, Limited Edition Hard Cover, ISBN # 978-1-59713-069-4
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$39.95 + shipping and insurance**
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* The Limited Edition Hard Cover makes this book an extraordinary
value.
**Contact Goose River Press for exact cost of your order.
Shipping and insurance within continental US will be $4 (paperback)
or $6 (hardback) for first book and $1 for each additional
book. Insurance is a flat fee of $2 for each $50 insured.
All books not insured will be shipped at buyer's risk. 5%
tax will be added for shipping to residents of Maine.
Please make checks payable to Goose River Press. Credit cards
will be accepted but a 5% processing fee will be charged.
Please call if you desire to use a credit card.
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Review by Hugh Fox
A very interesting development in Lifshin's whole aesthetic
approach here. Very Greinke-like, she almost sounds like a
poetry-centered Buddhistic specialist in the naturalistic
sciences, capturing all the nuances and details in the away-from-all-cities
world of Nutley Pond.
Read the whole review.
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Review by Laura Boss, poet and editor of Lips Magazine
If Monet had read Lyn Lifshin's Nutley Pond, he would have
painted it. Lifshin's lush images of Nutley Pond in all its
seasons with its kaleidoscope of images as " geese float
like ghost ships" and "gold fish glow llike opals"--
where Lifshin herself observes the flow of fauna and creatures,
including the rare discovery of one of the "motherless
geese" from "Operation Migration." And although
this book of poems is a different flight from other books
of poems by Lifshin, she proves she is as passionate about
our natural world as she is about relationships. Nutley Pond
is a book that needs to be in every school library from middle
school to graduate school if it prides itself on having the
best work on our natural environment as well as the best poetry
written.
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